Brasilia Split in Half, a new work by Gabriel Wickbold, was one of the most surprising installations at the last edition of SP Arte at the end of August.
Inside was a Capitonê sofa and a crystal chandelier by Scatto Lampadário, a nod to the divided country and behind-the-scenes power games in the federal capital.
Everything had to do with the theme of the fair “Brazilian Routes” and the moment of the artist.
Having attracted new collectors from the financial market and having his controversial photographs as a guaranteed investment, he now wanted to express himself in a . . .
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