Jamaican actor, educator and Grammy-nominated musician Hector “Roots” Lewis made his Hollywood debut in Bob Marley: One Love earlier this year as drummer Carlton “Carly” Barrett. He reflects on his journey with Shelly-Ann Inniss
What is your experience since then Bob Marley: One Lovedebut of?
I have experienced much more support and engagement from people and communities around the world – and, most of all, at home in Jamaica. It exceeded my expectations because I was so immersed in the process of creating art… Being an actor is a completely different world and space… I love sharing a great legacy as Carlton “Carly” Barrett. I am so grateful to be able to be a vehicle for that story alongside some of the best in the business.
Barrett was referred to as “the alpha and omega of reggae drumming”. How did his portrayal affect you personally and professionally?
It was truly an honor to tell Carlton Barrett’s story. While he has a theoretical approach to drums, he overcame it and basically played what he felt. His sound came from listening to many genres of music, especially American music such as jazz, funk, soul, disco.
Studying Carlton’s legacy took me right back to my days at the Edna Manley College of Visual and Performing Arts. I have fond memories of creating a schedule around the project … it taught me to appreciate the contributions he and Jamaican culture have made to the global music landscape.
It also taught me to be bold with my musicianship and live with purpose. This was further reinforced by speaking with his grandson, Aston Barrett Jr, during the making of Bob Marley: One Love. Carly lived a life of purpose… that did not need him to indulge in materialism, but to be enriched by the power of music.
Having been around so many influential people in your life and career, who is one person you want to work with and why?
The list is very long and I have already been given the opportunity to work alongside some dream collaborators. Growing up, I really wish I had worked with my mother [singer Barbara Jones, described as the “Billie Holliday of reggae”]. I always think of producing her music, harmonizing with her, applying some of the sound advice she gave me, especially during the prime of her career, and adding to the legacy she built. I hope to be able to continue to do this in everything I create.
Are you currently working on a project?
My latest single called “Possibility” came out on May 31st and was made with a very talented producer and engineer from California named Johnny Cosmic. It represents a deliberate step forward in developing my sound and not limiting my art to genre; people will hear a lot more about it on my album coming soon.
On the production side of things, there’s a very special artist named KA$E that I’ve started working with. It’s my way of getting to the heart of music. I am very excited to show this side of my art. Beyond that, I’m mostly practicing various instruments, engaging in some writing sessions at home and in the studio.
I’ve become much bolder with my art and more innovative with my approach to music in recent years. Music is much more than my passion: it is my life’s work, formed by a bloodline of talent. So I’m much more focused on the sound, the voice, the vocal delivery, the vocal feel. My evolution is about sharpening my ear and pouring my heart and experiences into what I do.
Any final words?
I just want to thank everyone who has supported my journey over the years. It’s really important to me to share in the community while creating art. Music is healing, but it’s also a journey of self-discovery. I’m excited to see where the road takes me, honored that music continues to lead me down a path of righteousness, and grateful for every step along the way.
